She’s Beautiful When She’s Angry, Mary Dore’s new film about the birth of contemporary feminism, is an insightful, inspiring look at the struggles and triumphs of our foremothers.
The media’s bad job of reporting on teenage pregnancy and parenting has real-life consequences and effects on teenage families, including depression and generational poverty. By removing these stereotypes, and changing to more positive story lines and outcomes, people in the media can make it easier on teens to create thriving families.
“Youth” is just one of many identities we experience during our lives, and stigmatizing or shaming a person because of age fails any social movement fighting against oppression.
Sexual pleasure can be a taboo subject in our society almost everywhere but in our entertainment, where it is arguably overdone. But even in our media, sex seems to be the sole privilege of young, white, single, and non-disabled people. That’s what makes John Green’s The Fault in Our Stars so remarkable.
Restrictions on access to birth control are at odds with the fact that sexuality, for most of us, takes time to understand and appreciate.
Obvious Child‘s treatment of abortion as an important moment in both the development of the main character and her romantic relationship is just one of the beautiful ways the film—a raunchy joke-fest with an undeniably humanistic heart—deals with women’s choices and power.
RH Reality Check recently spoke to Lindsey Averill and Viridiana Lieberman, who are crowdsourcing funds for Fattitude, their documentary about fat prejudice. The filmmakers discuss the core principles of Fattitude, the harassment they’ve experienced while making the film, and much more.
The Kermit Gosnell film raised more than $2 million from 26,574 backers to produce a lurid movie dramatizing the Gosnell trial in what will most likely be anti-abortion propaganda.
From the Women’s Media Center’s report to the annual VIDA Count, recent number-crunching shows that we still live in a white male media ecosystem.
The virgin-whore dichotomy has been around forever. What’s puzzled me recently, however, is what feels like a sudden upsurge in these very conservative attitudes in pop music. Why is this so?