Everything Rand Paul has said in recent weeks—from his comments about Monica Lewinsky and the “war on women” to his drafting of anti-choice Cuccinelli as lead counsel—is about proving his patriarchal bona fides.
The heartbreaking cases of both Robyn Benson and Marlise Munoz illustrate the need to defer to families and medical professionals, rather than bureaucrats and lawmakers, in making end-of-life decisions for pregnant persons.
An AP investigation of sexual assault cases at U.S. military bases in Japan reveals erratic application of justice, and the senator suspects there’s more to be found stateside.
The Times seems to have gone out of its way to publish a commentary that the paper’s own reporting shows is absolutely false on all counts. This is irresponsible media at its worst.
The virgin-whore dichotomy has been around forever. What’s puzzled me recently, however, is what feels like a sudden upsurge in these very conservative attitudes in pop music. Why is this so?
The realities of trans women’s experience with social media remind us that a discussion about “toxicity” online cannot be contained by the artificial boundaries of “Twitter feminism.” The problem is much larger than Twitter or any number of internal activist flare-ups. It encompasses the entire online world.
The decision to show Tebow in a maternity ward, wearing a white coat, and coaching a pregnant woman in labor was a bad one. Depicting famously anti-choice spokespeople as experts, or even ordinary Joes, in the arena of reproductive health is not funny. It’s disrespectful.
The Oscar-nominated film Philomena tells the tale of an Irish Catholic mother separated from her son by one of Ireland’s infamous 20th century Magdalene Laundries. But this adoption system wasn’t limited to mid-century Ireland; there are millions of Philomenas out there.
Last month’s CNN piece on sex trafficking in Cambodia was notable because it represented a common failure of the media to report effectively on issues like trafficking in ways that do not compound the harm to those most affected.
Philomena is another reminder of the vast inequalities between those who adopt children and birth mothers.