The OpEd Project has released a dismaying report showing that female op-ed writers still mostly write about “pink” topics such as women-specific health care. But those stories are critically important, and if women “break out” and write about other things, who’s left to cover them?
A writer at the Daily Caller is mad that women who can’t access abortion locally might get the “vacation” of sitting on a bus to get outpatient surgery. Bill O’Reilly is mad that Beyoncé enjoys married sex. It seems like anything you do these days is making the right mad, if you’re female.
While the media has moved on from Piers Morgan’s awful interview to the next topic du jour, many of us are still getting around to unpacking Janet Mock’s story and the struggles facing trans people that, unfortunately, continue to be overlooked by mainstream media for the more “titillating” aspects of their stories.
She hasn’t even announced if she’ll run for president in 2016, but critics and media analysts alike are already struggling to cover the former secretary of state without falling into sexist tropes.
From the Women’s Media Center’s report to the annual VIDA Count, recent number-crunching shows that we still live in a white male media ecosystem.
Everything Rand Paul has said in recent weeks—from his comments about Monica Lewinsky and the “war on women” to his drafting of anti-choice Cuccinelli as lead counsel—is about proving his patriarchal bona fides.
The heartbreaking cases of both Robyn Benson and Marlise Munoz illustrate the need to defer to families and medical professionals, rather than bureaucrats and lawmakers, in making end-of-life decisions for pregnant persons.
An AP investigation of sexual assault cases at U.S. military bases in Japan reveals erratic application of justice, and the senator suspects there’s more to be found stateside.
The Times seems to have gone out of its way to publish a commentary that the paper’s own reporting shows is absolutely false on all counts. This is irresponsible media at its worst.
The virgin-whore dichotomy has been around forever. What’s puzzled me recently, however, is what feels like a sudden upsurge in these very conservative attitudes in pop music. Why is this so?