It comes as no surprise to us when we hear that many trans people suffer from depression even after full medical transition. But for some cisgender people, such as Richard A. Friedman writing for the New York Times, this fact can only be resolved by calling into question our very right to self-determine our genders.
Planned Parenthood is certainly the target, but its destruction is not the goal, any more than destroying ACORN was the true goal back in 2008. Destruction would be a happy side effect, but the true goal is to destroy the pathway for women to have access to legal and safe abortions.
When it comes to accusations of assault, one man will always matter more than any number of women. No number of women, no volume of women’s testimony, will suffice as “proof.”
Journalists have an ethical duty to report the truth, to correct errors quickly, and to take responsibility for their work. As noted here by Kurt Eichenwald writing in Newsweek, the New York Times has not only failed in its responsibility, but has kept online a version of a story that has been completely discredited.
True Detective‘s second season has rolled out a character who thinks she’s infertile because of abortions in her youth. Sadly, this is just part of a larger pattern of this supposedly mainstream show regurgitating ugly right-wing myths about women.
Congressman Trent Franks (R-AZ), for example, was not “chilled” enough by the video to do anything about it when he first saw it at least a month earlier than it was released to the public, as he admitted to Roll Call.
The only people profiting off the “sale” of fetal body parts are the members of the anti-choice movement, right-wing politicians, and the snake-oil salesmen and women otherwise known as GOP candidates for president.
Rather than trying to “start a dialogue” through mockery, would-be allies should allow queer Muslims to speak for themselves as they try to establish themselves in spaces that often silence or ignore them.
Rather than being centered on healthy discussions of sex and relationships, these “tales of love” are more tales of women carrying the burdens of men while American viewers watch and judge.
The Netflix series has been praised by many as being “revolutionary” in its depictions of womanhood, but the show fails to offer its Black characters the sexual liberation that is typically only associated with white characters.