Kristof and WuDunn persuasively argue that fighting for women’s equality around the world, especially in developing countries, is the moral issue of our time.
The paradox of women’s glossies: They largely acknowledge our progress and rights in terms of the workplace, sexual freedom and reproductive rights, but only skim the surface of the sexist dynamics and expectations that inform those issues.
Even as we anticipate watching the women who work at Sterling Cooper struggle with changing gender roles, we are watching that struggle take place in a privileged world.
“Mad Men” is all about the hard truths, and the hard truth is that being a woman forging her own path in the early 60s was very lonely indeed.
Hold on to your hats: the 60s are coming to Sterling Cooper! Will Don Draper and his ilk go from icons of cool to losers holding back the tide of progress?
The number and influence of women in advertising have grown to such an extent that we must now hold ourselves accountable for what we achieve, and how.
True, second wave feminists didn’t burn their bras–or their girdles or their garters–but “Mad Men” suggests that they probably should have.
Astute and unflinching examination of gender politics has proved to be the secret of the rise of “Mad Men” in popular culture. RH Reality Check is hosting a salon on the program.
While sex selective abortion allows women to make what is, in a sense, the ultimate in supposedly informed consumerism, it also can work to create a world where being female is viewed as the primary and most terminal of birth defects.
In “Funny People,” men are always from Mars and women from Venus–and the central question is how Mars should gently approach Venus despite his libidinous need to fornicate with her.