‘Born in the Wild,’ Pope Francis, and More: ‘RH Reality Check’ Editor at Large Erin Matson on ‘To The Contrary’
RH Reality Check Editor at Large Erin Matson joins Karin Agness, Del. Eleanor Holmes Norton (D-D.C.), and Linda Chavez on To The Contrary to discuss a series of topics, including a new Lifetime reality show chronicling women having babies in the wild; Pope Francis’ statement that couples should have children, not raise pets; and Hillary Clinton.
Three frat boys stand around speculating about how “hot lesbians are,” but not in a way that objectifies the women and denigrates their relationship. Instead, the parts of the lesbians’ relationship that the boys comment on are truly spectacular parts of gay and all relationships. [via UpWorthy]
Yanis Marshall Choreography put together this dance, featuring Arnaud Boursain and Mehdi Mamine, to perform on the final live show of Britain’s Got Talent. The fantastic choreography and performance—along with an impressive escape from gender stereotypes—has taken the Internet by storm. [via Someecards]
After Taryn Brumfitt posted “before” and “after” pictures of her body online, people on the Internet had stronger reactions than she was comfortable with. So she decided to make a feature-length documentary encouraging women to love their bodies, no matter their size. [via Kickstarter]
On this episode of Reality Cast, Miriam Yeung, executive director of the National Asian Pacific American Women’s Forum, explains why sex-selective abortion bans don’t actually help anyone. In another segment, I discuss how so-called men’s rights activists got a moment in the sun and botched it, and I review the movie Obvious Child.
George Will is right. Throughout my life, my status as “survivor” has afforded me any number of privileges. For instance, the surgery that I needed a couple of years ago to fix the long-term consequences of the assault on my body was truly a privilege—it gave me the status of being temporarily unemployable.
Obvious Child‘s treatment of abortion as an important moment in both the development of the main character and her romantic relationship is just one of the beautiful ways the film—a raunchy joke-fest with an undeniably humanistic heart—deals with women’s choices and power.
In her recent—at moments, hilarious—article about the race to make millions by “appifying” the laundry business, Jessica Pressler repeats some surprising and infuriating tropes about the service economy that are, frankly, retrograde for women.
In this powerful slam poem, Ethan Smith recounts his separation from the girl he grew up being, and both apologizes to and reconciles with his former self. [via UpWorthy]
Twitter has come under fire from mainstream journalists and institutional gatekeepers, derided as “toxic” and a “poisonous well.” But this opposition to Twitter—to its strengths as a democratizing platform—is as old as media itself.